The other day I was playing around with a grille composed of Old West lettering again, I placed it over one of my drawings to see how it would look. It does have a feeling of looking outside from within. I was most interested in the shapes created between the letters, coloured around in black to isolate them.

I spotted this fantastic example of four different systems crossing each other while out on our daily walk: the plant, its shadow, woodgrain, and saw-marks on a felled tree. Of course I didn't have a phone or camera with me, so when I got home I got my phone and returned to the scene. It was worth it both to have collected this image which I find deeply interesting, but I also met a beautiful little pug pup - his body was pale sandy coloured, with a black face.

After another week of howling storms, sleet, hailstones, thunder I am actually sitting here today posting this is dazzling bright sunshine.
I don't title all of these templates works, but as on the week ending 2 February this week was another when titles suggested themselves. Reading left to right:

1.  Planetary Model 1
2.  Pisces (B's star sign)
3.  Lute
4.  Clockwork
5.  Planetary Model 2
6.  Taurus (my star sign)

Here is an amusing thing about titles in the diary: the working titles going around in my head often sound like pub names when you read the facing pages together, e.g. the Lute and Swan, or on other pages the Pot and Puzzle and the Harp and Arrow. I don't know what that says about me ...

Thanks for visiting, see you next week!

This week's 6 template drawings using my Dad's old templates, and 6 great things about this week:

1. My lovely bestie flew in from Germany, we have had some great chatty drinks in the evenings. He's not getting any shorter, he seems to be about 6ft 7 these days! (I could be the shrinking one, of course).
2. Back to Binky illustration work on an ongoing project which I am determined to have finished by Easter at the latest. It's a children's book which is top secret until it has been released.
3. The sun is now rising earlier every day - easier to get out of bed!
4. Working page layouts in BookWright, I love that kind of work. It brings out the old graphic designer in me.
5. Stunning frosty mornings with bright sunshine.
6. I am really enjoying collecting templates in my diary, discovering invisible forms. 

Thanks for visiting, see you next week!

This time last year I began to play with the idea of using templates in my drawings. I had inherited a lot of technical templates after my Dad passed away in 2017, some of which he made himself. He was a leading draughtsman and naval architect, and no doubt would find a great deal of humour in the sense I try to make of his tools. I find the forms fascinating and like the idea of using them in ways they were not deigned to be used. I want to incorporate them into my work combined with unreadable text and make them into plans nobody can build, and allow them to convey a sense of joyous unknown logic. The idea of working with cut spaces, or missing forms, is appealing to me. I used a few templates in my Confused Flags recently, and look forward to taking the idea further in 2020.

This Christmas has provided rich pickings for new forms: the image on the right is the remains of a miniature build-a-car car kit after the car parts had been pressed out. To the left, a notebook containing early template experiments I made a year ago, The notebook itself is an interesting Duplicate Manifold Book, supplied by the government for Public Service (in the 1960s by the looks of it), also found amongst Dad's possessions.

Three drawings this week: a Peruvian gourd which rattles when shaken, an enamel doggy box which is partner to the one I drew last week, and a depiction of the inside of a favourite bowl, but flattened out. I worked by turning the bowl in my hand and allowing the pattern to run straight in my drawing.

What can I make patterns from? Messing about with old drawings.