An uneventful yet busy week, and just like everyone else in the UK I am posting snow photos. The snow continued, and continued to fall until we were snowed in and immobilised. It was time to help out neighbours and pull together as a community. I made lots of soups and broths. It is amazing how much time was spent shovelling snow every day. Pavements and paths were impassible. Even the dog got housebound for a few hours when an avalanche fell from the roof, depositing nearly four feet of snow in front of the back door.

- Digging a path outside our house, where the snow wasn't so deep, to get the dog into the garden the long way
- The thaw began slowly in a drip-freeze pattern
- Daggers!
- Buried things began to emerge
- Avalanche from the roof
- Bubble bath
- Frog
- Owl
- My small drawings looking really smart in their mounts

Finally, I spent three days mounting my drawings to go for framing for my show in April. Deliveries of materials and food were delayed due to severe weather conditions. There were rows of empty shelves in the supermarkets. My work resumed at last towards the end of the week, and I finished the mounts yesterday afternoon.

Thanks for visiting, see you next week!

Sheets of Kozu Shi Japanese tissue drying on the line after staining with coffee
Kozu Shi is the paper I use for all my larger drawings, plus quite a number of smaller works. It behaves more like a fabric than paper, lending itself to a variety of materials and techniques such as staining, washing and stitching. In spite of its low weight (I think about 90gsm) it is a very strong paper and can be ironed just like fabric during the work process or on completion.

Working with stains and washes does require a bit of care, however: cool water is better than warm, which I discovered during this process of staining with coffee today - I was too impatient and used quite hot coffee on a couple of these sheets, which literally turned the paper into soft, wet tissue. The wind got up, and the next thing I knew the clothes-pegs were still on the line, but each with only a tiny, individual scrap of damp tissue! The remaining sheets of paper were lying sans corners in the corner of the decking in crumpled heaps.

In this case such an accident didn't matter. The staining worked really well which was the main point; and as for tears, holes, or damaged corners, I usually like to incorporate those into the work as an 'event' which formed part of the work's creation. I stained up a few offcuts of Kozu Shi to match to repair corners where necessary, and got everything back on the clothes-line to dry. 

After bringing the papers in for the night and airing them, my workspace smelled like a wonderful coffee shop (one good reason to choose coffee!) I will often use tea, ink or watercolour for staining, but on this occasion opted for coffee because of its slightly cooler colour, and the fact coffee forms sharper edges to the layers of wash. I collect leftovers from the bottom of my cafetière, plus on this occasion I added a whole fresh pot - hence the hot water. I would have to research the chemistry to understand why, but coffee seems to size the paper in a similar way to rabbit-skin glue, whether I use ground or instant from a jar.

Thank you for reading,
​A big cheery wave and best wishes to you all!
Heather

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Back in 2013, on my birthday, I decided to give myself the gift of a nice notebook and the promise to do a Daily Doodle in it. I didn't realise at the time what a great gift this was to be. It can be hard to make the space in life to draw every day: the day job, family, commitments, housework, cooking etc easily overwhelm your time and days can slide past with no work getting made. Making that promise to myself and always having my notebook to hand was a commitment which forced me to make the time to draw - and I hope I can be forgiven for saying this, it made me more 'masculine' in my attitude (my other half seems to find it incredibly easy to disappear into his work space and ignore the dirty dishes!) It turned out that each drawing usually took two days, but that was okay as long as they kept happening. 
Recently I came across that notebook and realised I had a little goldmine of drawings there which have never been published online; I think at the time I still had a Facebook account and occasionally posted one there, but I closed the account and now the drawings aren't anywhere, not even here on my website. I simply forgot about them - so I have decided to start posting them to my Instagram account. Rediscovery is definitely one of the perks of having been working for so long!
Thank you for reading,
​A big cheery wave and best wishes to you all!
Heather

​✍️

Hey! I'm still here. Frantically, frustratingly busy, but plotting out my next moves: here is a space rock tearing through Earth's atmosphere, attracting nebulous stuff into its trail on its way, and propagating who knows what. This is how I imagine The Beginning of Time As We Know It, and it feels like an apt metaphor for my life right now!
Thank you for visiting and see you next week,
​A big cheery wave and best wishes to you all!
Heather

✍️

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It's something we were taught to do at Edinburgh College of Art, way back in the day (I was there in the late 1970s, I was very young!) Sometimes I just want to leave the piece like this - with little bits of ideas loosely taped onto the drawing. I hope one day to find a way to bring this raw part of the process into the actual finished work.
Thank you for visiting!
A big cheery wave and best wishes to you all,
Heather
✍️

I am delighted to be taking part in the Christmas exhibition of small works at Open Eye Gallery in Edinburgh. I am showing this little drawing made in the past few weeks, plus two on the posts below.

At Open Eye Gallery, Edinburgh

At Open Eye Gallery, Edinburgh

A birthday gift for a friend. I had a great day at Edinburgh College of Art recently doing tutorials with the students and giving a talk on my work, almost forty years to the day since I first walked through the hallowed portals of ECA as a student myself. The students I met a couple of weeks ago were a great bunch, they made me feel so welcome. The first tutorial group I took really wanted to know how I make the bug drawings - time was short so I could only give them a very short description, but I posted a full description on my Instagram @binky_mckee - the account I use for illustration and other life style type things. My other drawings can be seen at @heatherelizawalker.

Since 1994, I have been making my own notebooks and sketchbooks. If I don't make one from scratch, I customise the notebook with  my marbled papers and do things like gluing envelopes inside the covers for keeping ephemera. They tend to be scruffy, rambling affairs, but they are all mine, and I never suffer 'first page angst' when starting a new one - because it was already begun when I made it. It's nice to be able to customise proportions and to mix the papers inside according to my current interests. Many are tiny, doll's house proportions - easy to slip into a pocket or small handbag for instant availability in situations when it might be frowned upon to whip out a sketchbook!

 
The other day I remembered a drawing I had made a few years ago in connection with the work I am doing at the moment. I had to dig around to find the notebook I thought might contain it. When I finally found it and opened it I was amazed to find a wealth of forgotten drawings which I had never documented or scanned into the archives I keep of my work. They were from 2012, and experimental and fun. I didn't actually find the drawing I was looking for, but the forgotten body of work contained the elements I was seeking, and I was delighted to rediscover the work and find it relevant to what I am doing now.
But how does it happen that work can get so completely forgotten?

Clear out the kiln room! Believe it or not, there is a very nice, quite large, Potterycrafts top-loader electric kiln behind all the junk. This is what happens when you don't use a space for a while, then clear out the house! It would be great to be able to see it again, and exciting to begin new work ...

Is to keep just one tidy, whole notebook! I see photos of other peoples' beautifully kept Moleskines on Instagram etc all the time, which totally put mine to shame. So just one this year, with no rippedup/ripped out pages, which hasn't caught fire, and which still has all its pages and spine intact ...

'heatherelizawalker Oops! My burning/singeing technique nearly got out of hand - using a different paper which goes up like a firework!'
If you have seen my Instagram today you will have seen this post about Drawing 67 from the Drawing A Day blog - it’s true, different papers do catch fire at different rates!
​Normally I would test a new paper ...

An exciting couple of hours this afternoon at Wildgrass Studio printing and trimming the images for this year's Christmas cards. Dave and Gill offer professional fine art reproduction services and it is always fascinating to watch my artwork going through the processes. My images this year are tiny, to be mounted on white cards, and the quality of the printing is pristine and crisp (not that you can see that from my fuzzy photos!)
By the end of the day I had a nice little stack of lovely little card fronts - thank you, Wildgrass.